Walls of Hope
Bazooka Joe, Gangster of Art. Public work, 2018.

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A permanent mural, about 197 by 30 feet, on the outer wall of the prison that once held him. The prison service asked him to paint it, and he worked on it for about three months in 2018. At the public unveiling that August, attended by a deputy mayor, the prison service’s commissioner presented him with a certificate of appreciation.
Across the wall, a figure holds a skull in one hand and a heart in the other, beneath the words TO BE OR NOT 2 BE. It is what he calls “the prisoner’s dilemma”: the choice, after release, between reoffending and going straight.
- Size
- About 197 × 30 ft (60 × 9 m)
- Type
- Permanent mural, exterior wall
- Unveiled
- August 2018, at a public ceremony
- Owner
- The prison service
- Made with
- 66 gallons of paint and 190 spray cans, painted without preliminary sketches

Photographs



On record
A plaque beside the wall gives, in the prison service’s own words, the reason this wall was chosen: “every prisoner has a release date,” and the wall stands for keeping the bond with the community outside. As of 2025, the prison service still describes the mural on its website, and a national survey of wall art lists it.
Sources for every fact on this page are available on request.
In his words
“I felt my whole life had shrunk down into this wall.”
Maariv, 2018
“I was dark, and I want to light the way for other dark ones.”
Maariv, 2018
Quotations on this page are translated from the original.
In the film

Near its end, Gangster of Art, Liran Shabtai’s documentary, follows him painting this wall from spring to summer. The film closes on him riding past the finished mural, and on one line:
“The gangster behind the wall became an art gangster outside of it.”
Closing card, Gangster of Art
Commissions
Bazooka Joe, Gangster of Art, takes on commissions for exterior walls and public sites. Tell us about the wall, its size and the community around it.